Isabella Karmis outlines why we should all be listening to Latin funk-pop band Darumas in 2025.
“Hozier demonstrates his power to bend the Bible into a shape of love, forgiveness, and acceptance — all from the shape of the institution’s punishment, restriction, and critique” - Camille Bull explores the interpretation of religiosity of Hozier’s music.
Lexie Dykes reviews Elisabeth Leonskaja and the RSNO’s performance of Beethoven’s Emperor Concerto at Usher Hall in Edinburgh, conducted by Thomas Søndergård.
Rage has always been an intrinsic part of both the lives and of the music of the women who create it: Ayesha Ali explores the history and significance of music that women make when they are angry.
Read Ayesha’s article to learn more about the linguistic histories of Palestine and Bangladesh. It explores the underappreciated facets of Palestinian life, highlighting the rich musical heritage and the symbolic significance of the olive tree. The piece concludes by spotlighting the popular song "Dammi Falastini" by Arab Idol winner Mohammed Assaf, symbolizing Palestinian unity.
